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Open a larger version of the following image in a popup: Claes BERCHEM , Study of a donkey

Claes BERCHEM

Studio di asino
Matita su carta
130 x 110 mm
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Provenance

M.von Heyl zu Herrnsheim, Darmstadt (L.2879);

Dr. M.Graff (L.1157b);

Sotheby’s London 13 aprile 1992, lot. 102;

Roma, collezione privata.

Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.

He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures in works of other artists,

Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Pieter de Grebber, Jan Baptist Weenix.

Around 1650 he travelled to Westphalia with Jacob van Ruisdael, where a dated piece is recorded. Maybe Berchem went to Italy after this trip and before he moved to Amsterdam – he is not clearly documented in the Netherlands between 1650 and 1656. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. From 1661 to 1670 he is registered in Amsterdam and in 1670 he moved back to Haarlem, but was living back in Amsterdam by 1677, where he died in 1683.

 

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