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Open a larger version of the following image in a popup: Gennaro MALDARELLI, Masked Ball held at the Real Teatro di S. Carlo in Naples during the Carnival celebrations of 1827
Open a larger version of the following image in a popup: Gennaro MALDARELLI, Masked Ball held at the Real Teatro di S. Carlo in Naples during the Carnival celebrations of 1827
Open a larger version of the following image in a popup: Gennaro MALDARELLI, Masked Ball held at the Real Teatro di S. Carlo in Naples during the Carnival celebrations of 1827
Open a larger version of the following image in a popup: Gennaro MALDARELLI, Masked Ball held at the Real Teatro di S. Carlo in Naples during the Carnival celebrations of 1827

Gennaro MALDARELLI 1795-1858

Masked Ball held at the Real Teatro di S. Carlo in Naples during the Carnival celebrations of 1827
Ink and wash on paper
865 x 400 mm
Signed botton right: "Genn ro. Maldarelli. dis."
Provenance: Queen Maria Isabella di Borbone, wife of the King Francesco I of Naples; Count Francesco del Balzo her second husband; then by descendants.
Inscribed below: "Disegno della Mascherata che intervenne al Real Teatro di S. Carlo nel Carnevale dell’Anno 1827. la sera del 25. Febbrajo in occasione della Gran Festa di Ballo// Quadriglia di Tasso. Quadriglia di Ariosto. Quadriglia di Petrarca. Quadriglia di Dante. La Corte di Persia, cioè_Lo Schah_S.M.Il Re. La gran Sultana_S.M.La Regina. I Figli dello Schah_Le LL.AA.RR. Il Conte di Siracusa_Il Conte di Lecce_Principessa D. Antonia_Principessa D. Amalia.// Due Sultane Le LL.AA.RR. Principessa D. Cristina_Principessa di Salerno. Gran Visir_S. A. R. Il Principe di Salerno. Quattro Sultane del seguito_Principessa di Campofranco, Marchesa Brancaccio, Duchessa S. Teodoro, Contessa di Monteluch. Il Daroga, ossia Guardiano degli Eunuchi_Principe di Scilla. Sei Guardie del Corpo_S.A.R.Il Duca// Di Calabria_S.A.R. Il Principe di Capua_Principe Pignatelli, Marchese Brancaccio, Principe di Cellammare, Duca di Ascoli. Quadriglia Napoletana. Quadriglia Francese. Quadriglia Tartara. Quadriglia Scozzese.// ".
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Provenance

Queen Maria Isabella di Borbone, wife of the King Francesco I of Naples; Count Francesco del Balzo her second husband; then by descendants.

 

Literature

Inventario della eredità di Sua Maestà l’Augusta defunta Regina Maria Isabella Borbone, pg. 357v, Quinta stanzina, published in the catalog Napoli 1836, Le stanze della Regina Madre by Patrizia Rosazza-Ferraris, Rome Mario Praz Museum, De Luca Editori d’Arte, 2008.

This hitherto unpublished drawing depicts the participants at the Carnival celebrations held in the Great Hall of the Teatro San Carlo during Carnival in 1827. The celebrations were attended by King Francesco I of the Two Sicilies, attired in Persian splendour, and all his many courtiers. The drawing illustrates the disguises worn by the members of the Neapolitan royal family and of the aristocracy, who sport costumes in the Tatar, French and Scottish styles.

The King’s entourage includes gentlemen disguised as some of the great figures of Italian literature such as Dante, Petrarca, Tasso and Ariosto accompanied by their equally illustrious ladies, Beatrice, Laura, Eleonora and Ginevra. A long set of captions identifies the figures and their respective costumes.

The drawing in ink and wash on paper belonged, along with a large number of objects, pictures, items of furniture and household goods, to the collection of Queen Maria Isabella di Borbone (1789–1848), infanta of Spain and Queen of the Two Sicilies, the wife of King Francesco I.

Following the King’s death in 1830, Isabella married her second husband, Count Francesco del Balzo di Presenzano who, on her demise in 1848, inherited a large part of her personal belongings which then passed to his numerous heirs by right of descent.

This drawing hung in the couple’s residence, the upper apartment in the Villa of Capodimonte. It is described as being in the fifth room on page 357v. of the general inventory, which mentions “a picture of three and a half palms by one and a half, a coloured drawing depicting the masked ball held by the Royal Court at San Carlo in eighteen hundred and twenty-seven, with gilded frame and a glass plate in front of it”.

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